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Ett urval av konstverk från galleriet
Vi är specialicerade på Anders Zorn & Salvador Dalí
1887-1985
”Aurore à Saint-Paul”
Färglitografi, 1968, signerad och numrerad, upplaga 75 ex.
Bildstorlek: 56x38 cm.
Bladstorlek: 75x51 cm.
Litteratur: Mourlot 548
”Aurore à Saint-Paul”
Colour lithograph printed, 1968, on Arches.
Image: 56x38 cm.
Paper: 75x51 cm.
Mourlot 548
1887-1985
"Pantomime"
Färglitografi, 1972, signerad och numrerad, utgiven av Maeght, Paris.
Upplaga 50 ex
Bildstorlek: 39 x 30,5 cm.
Bladstorlek 66 x 49.5 cm (Arches).
Litteratur: Mourlot 649
"Pantomime"
Colour lithograph printed 1972
Edition 50.
Signed and numbered.
Published by: Maeght, Paris.
Image: 39 x 30,5 cm.
Paper: 66 x 49.5 cm (Arches).
Mourlot 649
1887 - 1985
”Le Violoncelle”
Färglitografi, 1976, signerad och numrerad, upplaga 50 ex. Utgiven av Maeght, Paris.
Bildstorlek: 34x25 cm.
Bladstorlek: 50x40 cm.
Litteratur: Mourlot 897
”Le Violoncelle”
Colour lithograph printed 1976, signed and numbered. Published by Maeght, Paris.
Image: 34x25 cm.
Paper: 50x40 cm. (Arches)
Mourlot 897
1887 - 1985
"L'Ange du jugement”
Färglitografi, 1974, av Charles Sorlier efter Marc Chagall. Signerad med blyerts av Marc Chagall.
Upplaga 200 ex. Utgiven av Amis du Message Biblique Marc Chagall, Nice.
Bildstorlek: 52x43 cm.
Bladstorlek: 72,5x54,5 cm.
Litteratur: Mourlot CS 45
”L'Ange du jugement”
Colour lithograph printed 1967 by Charles Sorlier after Marc Chagall. Signed and numbered. Published by Amis du Message Biblique Marc Chagall, Nice.
Image: 52x43 cm.
Paper: 72,5x54,5 cm. (Arches)
Mourlot CS 45
1887-1985
"Le cirque au clown jaune"
Färglitografi, 1967, signerad och numrerad.
Upplaga 150 ex
Bildstorlek: 66,5x52 cm.
Bladstorlek 77x58 cm (Arches).
Litteratur: Mourlot 443
"Le cirque au clown jaune"
Colour lithograph printed 1967
Edition 150.
Signed and numbered.
Image: 66,5x52 cm.
Paper: 77x58 cm (Arches).
Mourlot 443
1887-1985
”Aurore à Saint-Paul”
Färglitografi, 1968, signerad och numrerad, upplaga 75 ex.
Bildstorlek: 56x38 cm.
Bladstorlek: 75x51 cm.
Litteratur: Mourlot 548
Månljuset sprider sig över Saint-Paul och det älskande paret som njuter av varandras sällskap. Med staden vilande i bakgrunden och åsnan redo att ta tillbaka dem, verkar paret tveksamma, som om de inte vill lämna platsen eller varandra. De är fångade i månskenet och varandras famn, vilket Chagall mästerligt uttrycker i detta kärleksfulla och drömlika motiv.
”Aurore à Saint-Paul”
Colour lithograph printed, 1968, on Arches.
Image: 56x38 cm.
Paper: 75x51 cm.
Mourlot 548
född 1965
"Orange Buterfly"
66x48,5 cm
Print in colours on Zerkall paper.
Signed (lower right) and numbered 26/55 (verso)
1887 - 1985
"Le clown acrobate"
Etching and aquatint, 1967, signed in pencil and numbered 32/35.
Image 30,5 x 23,9 cm.
1925-2008
Oil on canvas
55x46 cm
1887-1985
"Dessins pour la Bible"
Verve Vol X, No 37‑38.
The complete book with 24 lithographs in colour.
Éditions de la Revue Verve, Paris, 1960.
Cramer 42. Mourlot 230‑280.
1894-1986
"Histoire de la Reine Esther"
Signerad Theo Tobiasse och daterad -74.
Gouache och blandteknik, 67 x 51 cm.
1904-1989
"Persistence of Memory"
Date: conceived and first cast in 1980
Height: 37 cm
Material: bronze
Technique: lost wax process
Edition size: 350 + 35 EA
Patina: green
Maquette: original wax, ʺPersistence of Memoryʺ, 1980
Descharnes References:Dalí: The Hard and the Soft, Sculptures & Objects. Eccart, 2004. pg. 246 ref. 632
This sculpture is accompanied by an official Certificate of Authenticity.
In addition to the above Certificate of Authenticity, each sculpture is accompanied with a Foundry Certificate issued by Perseo Art Foundry
Dalí has isolated the central image of his best-known painting and given it the same title. It is a simple figure: a limp watch draped over the branch of a dead tree. Dalinean time is not rigid; it is one with space…fluid. The unexpected softness of the watch also represents the psychological fact that the speed of time, while precise in scientific use, is widely variable in human perception. When we are involved in pleasant activities or in work that absorbs all our attention, 'time flies', but when we are mired in boredom or discomfort, it drags. The limp watch no longer 'keeps' time; it does not measure its passage. Thus, the speed of our time depends only on us.
1934 - 2019
Akvarell
54x72 cm
1936 - 2020
"Krognota"
24x14 cm
Akvarell och gouache utförd på en krognota.
1911-1981
"Hommage à Herbin"
Färgserigrafi, signerad Baertling, daterad 1952-68 samt numrerad.
Ur mappen: "The Angles of Open Form Infinite Space from Cinètisme to Open Form 1949 - 1968".
Bladstorlek 18,5 x 39 cm.
född 1977
”Untitled II”
Olja på duk, 110x180cm
Oil on canvas, 110x180 cm
född 1977
”Portal II”
Olja på duk, 180x80 cm
Oil on canvas, 180x80 cm
född 1977
”Cluster III - Drifters”
Olja på duk, 80x60 cm
Oil on canvas, 80x60 cm
1859 - 1941
“Klar Efteraarsdag ved Smedelinien"
Olja på duk, 70x50 cm
Signerad och daterad 1937
Biografi nedan
“Klar Efteraarsdag ved Smedelinien"
Oil on canvas, 70x50 cm
Signed and dated 1937
Biography below
Peder Mørk Mønsted, född 10 december 1859 i Balle Mølle vid Grenå, död 20 juni 1941 i Fredensborg, var en dansk målare.
Mellan oktober 1875 och januari 1879 var han inskriven på Kunstakademiet i Köpenhamn där han studerade för Frederik Vermehren, Julius Exner och Niels Simonsen. Han studerade även en kortare tid på P. S. Krøyers målarskola. Vintern 1882–1883 var han elev till William Bouguereau i Paris.
Mønsted målade landskapsbilder i realistisk stil som han utvecklade under vistelsen i Paris. Till hans favoritmotiv räknas snöiga vinterlandskap, stilla vattenytor och skog. Han hade flera utställningar både i Danmark och utomlands. Efter sekelskiftet och fram till sin död var han en av Danmarks mest populära landskapsmålare.
ENGLISH:
Mønsted was born at Balle Mølle near Grenå, Denmark. He was the son of Otto Christian Mønsted and Thora Johanne Petrea Jorgensen. His father was a prosperous ship-builder. At an early age, he began receiving painting lessons at the art school in Aarhus. From 1875 to 1879, studied at the Royal Academy of Fine Arts with Niels Simonsen and Julius Exner. In 1878, Mønsted studied under the artist Peder Severin Krøyer In 1882, he spent some time in Rome and Capri then, the following year, visited Paris, where he worked in the studios of William Adolphe Bouguereau. He gradually developed a personal style of academic naturalism.
Mønsted was a habitual traveler. In 1889, he went to Algeria. Three years later, he travelled to Greece, where he was a guest of King George I who had been born a Danish prince. While there, he also did portraits of the Greek royal family. After that, he visited Egypt and Spain. During his later years, he spent a great deal of time in Switzerland and travelling throughout the Mediterranean. His travels produced numerous sketches that became paintings he presented at several international exhibitions. He was especially popular in Germany, where he held several shows at the Glaspalast in Munich.
1859 - 1941
"Early spring in the woods"
Signed and dated P. Mønsted 1898.
Oil on canvas. 32×46 cm.
Mønsted was born at Balle Mølle near Grenå, Denmark. He was the son of Otto Christian Mønsted and Thora Johanne Petrea Jorgensen. His father was a prosperous ship-builder. At an early age, he began receiving painting lessons at the art school in Aarhus. From 1875 to 1879, studied at the Royal Academy of Fine Arts with Niels Simonsen and Julius Exner. In 1878, Mønsted studied under the artist Peder Severin Krøyer In 1882, he spent some time in Rome and Capri then, the following year, visited Paris, where he worked in the studios of William Adolphe Bouguereau. He gradually developed a personal style of academic naturalism.
Mønsted was a habitual traveler. In 1889, he went to Algeria. Three years later, he travelled to Greece, where he was a guest of King George I who had been born a Danish prince. While there, he also did portraits of the Greek royal family. After that, he visited Egypt and Spain. During his later years, he spent a great deal of time in Switzerland and travelling throughout the Mediterranean. His travels produced numerous sketches that became paintings he presented at several international exhibitions. He was especially popular in Germany, where he held several shows at the Glaspalast in Munich.
1856-1945
"Högsommar på Blomsteräng"
Olja på duk, 49x73 cm.
1870-tal
"Huellas de un Pasada"
Olja på duk
150x150 cm
"Huellas de un Pasada"
Oil on canvas
150x150 cm
Sergio Silva Cajahuaringa, is a Peruvian plastic artist who develops his work around abstract surrealism. Based in Lima, Peru, he has participated in innumerable individual exhibitions in Peru and across four continents, having been awarded in numerous opportunities.
Thanks to his contributions, he already occupies a privileged place in the new generations of artists who develop this area of plastic expression due to his talent and originality.
Silva Cajahuaringa is looking forward to displaying his work at the Mollbrinks Gallery as a symbol of opening to other cultures. The artist has noted that he feels that such exposure helps him to feed his mind and soul and this further translates into his future artworks. Few Peruvian painters have enjoyed such an exceptional journey as Silva Cajahuaringa. Due to his merits and awards obtained in Peru and abroad, he has become an outstanding artist for Contemporary Peruvian Art.
I have had the pleasure to promote and accompany the work of Sergio Silva Cajahuaringa the last 20 years in different countries and it is, once again, a pleasure to present to the Swedish art world this fantastic artist.
José Beraún Aranibar Former Ambassador of Peru to Sweden
Född 1946
"Räv"
Olja på duk
91x144 cm
"Fox"
Oil on canvas
91x144 cm
"Axel Herman Hägg III"
Date: 1884, London
39x26,1 cm
Technique: etching
Edition size: 2-5
Stat/État 1 of 2
Signed by the artist
References: Asplund no. 15
Hägg was Zorn's teacher of etching techniques. Both artists were active in London in 1883.
This etching in first state (état 1) is a RARITY only printed in 2-5 copies.
1899 - 1984
"Två människor på fältet"
olja på duk, 41x57 cm,
Daterad 1944
"Två människor på fältet"
oil on canvas, 41x57 cm
Dated 1944
Född 1957
"Schnauzer"
Brons, 45.7 x 30.5 x 50.8 cm
Upplaga: 11
Bronze, 45,7 x 30,5 x 50,8 cm
Edition: 11
1849-1937
Olja på duk, 84x60 cm
Oil on canvas, 84x60 cm
1909 - 1985
"Rävjakt"
Olja på duk, signerad och daterad 70.
71x98 cm
"Fox hunting"
Oil on canvas, signed and dated 70
71x98 cm
Född 1941
Olja på duk, 110x91 cm
Oil on canvas, 110x91 cm
1894-1986
"Ur Solo i Negerbyn"
Akvarell och tusch på papper
20,5x32 cm
Illustration till boken "Solo i Negerbyn" från 1941. Berättad av Per E Rundquist.
LIBRIS ID: 1312981
"From the book: Solo i Negerbyn"
Watercolor and india ink on paper.
Image: 20,5x32 cm
Illustration for the book "Solo i Negerbyn" from 1941. Narrated by: Per E Rundquist.
Book id, LIBRIS: 1312981
född 1954
"Bränningar"
olja på duk, 49x97 cm
oil on canvas, 49x97 cm
Född 1975
"Three legged High Big horse" 103 cm
"Three legged High Small horse" 42 cm
Brons, upplaga 12 ex.
Bronze, edition 12
"the Mirror of the Queen of Saebah"
Oil on canvas, 90x70 cm
1920-2018
Olja på duk, 45x54 cm
Oil on canvas, 45x54 cm
Född 1956
"KG & Jag"
Akryl på duk, 89x109 cm
"KG & Me"
Akrylic on canvas, 89x109 cm
1901-1981
HALMSTADGRUPPEN
"Geometriska linjer"
Olja på pannå, 38x45 cm
Oil on board, 38x45 cm
