Marc Chagall

1887 - 1985

"Paysan au bouquet”

Färglitografi, 1968.

Signerad med blyerts av Marc Chagall. 

Upplaga 50 ex. 

Bildstorlek: 32x22 cm.

Litteratur: Mourlot 550

"Paysan au bouquet”

Lithograph in coulours, 1968. Signed in pencil and numbered, 32 x 22 cm.

Literature: Mourlot no. 550

Joan Miró

1893- 1983

From "Oda a Joan Miró"

61 x 80 cm, 1973

Edition, 75, signed and numbered.

Published by Edicions Polígrafa S.A. Barcelona
Printed by La Polígrafa, S.A. Barcelona

Literature: Maeght no. 911

Signed and numbered.

Rupert Jasen Smith

1953-1989

"The Kiss"

Screenprint in colors on paper, 1988

Edition 125 + 15 HC.

Signed by hand and blindstamp, numbered  HC 14/15. 

Image: 110x86 cm.

From the portolio "Greta Garbo" which was started by Andy Warhol, but completed by Rupert Jasen Smith due to Andy Warhol's sudden death. The work is signed by Rupert Jasen Smith.

Joan Miró

1893 - 1983

"Miró - Grand Palais"

83x59 cm

Lithograph in colours, 1974, on Arches paper, signed in pencil and numbered.

Printed by Arte Adrien Maeght, Paris, published by Réunion des Musées nationaux, Paris.

Literature: Mourlot no. 945

Théo Tobiasse

1894-1986

"Histoire de la Reine Esther"

Signerad Theo Tobiasse och daterad -74.

Gouache och blandteknik, 67 x 51 cm.

Marc Chagall

1887-1985

"Le cirque au clown jaune"

Färglitografi, 1967, signerad och numrerad.

Upplaga 150 ex

Bildstorlek: 66,5x52 cm.

Bladstorlek 77x58 cm (Arches).

Litteratur: Mourlot 443

"Le cirque au clown jaune"

Colour lithograph printed 1967

Edition 150. 

Signed and numbered. 

Image: 66,5x52 cm.

Paper: 77x58 cm (Arches).

Mourlot 443

Marc Chagall

1887-1985

"Le cirque au clown jaune"

Färglitografi, 1967, signerad och numrerad.

Upplaga 150 ex

Bildstorlek: 66,5x52 cm.

Bladstorlek 77x58 cm (Arches).

Litteratur: Mourlot 443

"Le cirque au clown jaune"

Colour lithograph printed 1967

Edition 150. 

Signed and numbered. 

Image: 66,5x52 cm.

Paper: 77x58 cm (Arches).

Mourlot 443

Roy Lichtenstein

1923-1997

"As I Opened Fire"

Offset lithograph (triptych) on white wove paper, 1966, unsigned.

64x54 cm (each).

Catalogue Raisonné: Corlett, App. 5

This is a reproduction of the painting As I Opened Fire (1964) in the collection of the Stedelijk Museum, Amsterdam. 

Printed on each panel, lower right, within the image (C) S.M.A. also printed on verso, lower left corner of each panel:

Roy Lichtenstein 1923

as i opend fire

1964 - acrylic on canvas

triptych - panel (no.)  - 173x142,5 cm.

coll. stedelijk museum amsterdam. 

Damien Hirst

1965

Taytu-Betul from The Empresses (2022)

100x100 cm 
Giclee print on aluminum composite

Marc Chagall

1887-1985

"Le cirque au clown jaune"

Färglitografi, 1967, signerad och numrerad.

Upplaga 150 ex

Bildstorlek: 66,5x52 cm.

Bladstorlek 77x58 cm (Arches).

Litteratur: Mourlot 443

"Le cirque au clown jaune"

Colour lithograph printed 1967

Edition 150. 

Signed and numbered. 

Image: 66,5x52 cm.

Paper: 77x58 cm (Arches).

Mourlot 443

Damien Hirst

1965

Justice from The Virtues 2021

120x96 cm

Laminated giclee print on aluminum composite.

Salvador Dalí

1904-1989

Complete portfolio with six dry point colored with stencil, 1975, all signed in pencil, printed by Ateliers Rigal, Fontenay-aux-Roses, published by Galerie Börjeson, Malmö.

Editon: 300

Plate: 52.4 x 36.5 cm.
Leaf: 65.8 x 50 cm. (Arches).

LITERATURE:
Field 75-5.
Michler/Löpsinger 766a-771a.

Agnetha Sjögren

“My dogs don’t eat, bark, jump, bite, drool, or need to go out for a poop. They sit or stand ‘nicely’ all day long, you can come and go as you please without having to worry about them…”

Playful and imaginative, Agnetha’s exquisitely hand-crafted one-of-a-kind sculptures have proved as irresistible to art lovers as the dogs they represent are to pet lovers. While their shape, stance and attitude are completely true to life, Agnetha uses their surfaces to tell a vibrant series of stories, each one unique to its canine canvas.

Agnetha is building an enviable reputation for her distinctive sculptures, which have been featured in high-end magazines including Vogue, Elle and Design Week, as well as enchanting the audience when they made guests appearances at fashion shows in Moscow and New York City.

LOVED

They have made an impact at venues as varied as the Orange County Center for Contemporary Art in LA, Lane Crawford in Hong Kong, the Rosewood Hotel in London, Qingdao Sculpture Museum in China and even on the London Underground. 

BRONZE

Since she was named on the Aesthetica Wish List alongside pieces by Stella McCartney, Louis Vuitton and Elin Høyland, Agnetha has become even more highly sought after and can be found in the collections of many famous many private collectors, including Angelina Jolie and Jude Law.

1ST EDITIONS

“I have almost forgotten that they’re dogs. To me, they become a three dimensional canvas that I appropriate in the way another artist would use a flat surface, and use as a means to tell my stories.”

COLOURFUL

“More than just luxury gadgets these objects enter the gallery space as the alter ego of famous artist Jeff Koons’ inflatable creatures. Nevertheless the place where we imagine them mostly is a domestic interior… Agnetha’s dogs demands someone to belong to.”

– Veronica Giordani, The Positive

Olof Krumlinde

1856-1945

"Högsommar på Blomsteräng"

Olja på duk, 49x73 cm. 

1870-tal

Salvador Dalí

1904-1989

"Triumphant Angel"

Date: conceived in 1976 and first cast in 1984

Height: 50 cm

Material: bronze

Technique: lost wax process

Edition size: 350 + 35 EA

Patina: blue

Maquette: original drawing, ʺTriumphant Angelʺ, 1976

Descharnes References:Dalí: The Hard and the Soft, Sculptures & Objects. Eccart, 2004. pg. 254 ref. 652

This sculpture is accompanied by an official Certificate of Authenticity.

In addition to the above Certificate of Authenticity, each sculpture is accompanied with a Foundry  Certificate issued by Perseo Art Foundry

Religious imagery fascinated and intrigued Dalí throughout his lifetime. For Dalí, angels expressed grace, nobility and lightness. Dalí once said “nothing is more stimulating than the idea of an angel!”. The face and trumpet in the sculpture, echo the Cubist style pioneered by Pablo Picasso, who Dalí admired. It is interesting that Cubism and Surrealism co-exist in this sculpture.

From the 1940s, when Dalí began weaving strong religious themes into his artworks, angels appear frequently in his oeuvre. Dalí rejected his family’s Catholicism early in life, only to re-embrace it again in later years. For Dalí, angels represented divine awareness, purity, protection and illumination. The key element of the sculpture is the trumpet, it links heaven and earth, bringing and reflecting divine light.

The angel’s wings are in perfect equilibrium, referencing Dalí’s obsession with geometrical precision. This sculpture embodies Dalí’s idea of heavenly achievement and aspiration.

Sergio Silva

Cajahuaringa

"Huellas de un Pasada"

Olja på duk

150x150 cm

"Huellas de un Pasada"

Oil on canvas

150x150 cm

Sergio Silva Cajahuaringa, is a Peruvian plastic artist who develops his work around abstract surrealism. Based in Lima, Peru, he has participated in innumerable individual exhibitions in Peru and across four continents, having been awarded in numerous opportunities.

Thanks to his contributions, he already occupies a privileged place in the new generations of artists who develop this area of plastic expression due to his talent and originality.

Silva Cajahuaringa is looking forward to displaying his work at the Mollbrinks Gallery as a symbol of opening to other cultures. The artist has noted that he feels that such exposure helps him to feed his mind and soul and this further translates into his future artworks. Few Peruvian painters have enjoyed such an exceptional journey as Silva Cajahuaringa. Due to his merits and awards obtained in Peru and abroad, he has become an outstanding artist for Contemporary Peruvian Art.

I have had the pleasure to promote and accompany the work of Sergio Silva Cajahuaringa the last 20 years in different countries and it is, once again, a pleasure to present to the Swedish art world this fantastic artist. 

José Beraún Aranibar Former Ambassador of Peru to Sweden

Sergio Silva

Cajahuaringa

"Evolución"

Olja på duk

150x150 cm

"Evolución"

Oil on canvas

150x150 cm

Sergio Silva Cajahuaringa, is a Peruvian plastic artist who develops his work around abstract surrealism. Based in Lima, Peru, he has participated in innumerable individual exhibitions in Peru and across four continents, having been awarded in numerous opportunities.

Thanks to his contributions, he already occupies a privileged place in the new generations of artists who develop this area of plastic expression due to his talent and originality.

Silva Cajahuaringa is looking forward to displaying his work at the Mollbrinks Gallery as a symbol of opening to other cultures. The artist has noted that he feels that such exposure helps him to feed his mind and soul and this further translates into his future artworks. Few Peruvian painters have enjoyed such an exceptional journey as Silva Cajahuaringa. Due to his merits and awards obtained in Peru and abroad, he has become an outstanding artist for Contemporary Peruvian Art.

I have had the pleasure to promote and accompany the work of Sergio Silva Cajahuaringa the last 20 years in different countries and it is, once again, a pleasure to present to the Swedish art world this fantastic artist. 

José Beraún Aranibar Former Ambassador of Peru to Sweden

Sergio Silva

Cajahuaringa

"En un Inicio"

Olja på duk

150x150 cm

"En un Inicio"

Oil on canvas

150x150 cm

Sergio Silva Cajahuaringa, is a Peruvian plastic artist who develops his work around abstract surrealism. Based in Lima, Peru, he has participated in innumerable individual exhibitions in Peru and across four continents, having been awarded in numerous opportunities.

Thanks to his contributions, he already occupies a privileged place in the new generations of artists who develop this area of plastic expression due to his talent and originality.

Silva Cajahuaringa is looking forward to displaying his work at the Mollbrinks Gallery as a symbol of opening to other cultures. The artist has noted that he feels that such exposure helps him to feed his mind and soul and this further translates into his future artworks. Few Peruvian painters have enjoyed such an exceptional journey as Silva Cajahuaringa. Due to his merits and awards obtained in Peru and abroad, he has become an outstanding artist for Contemporary Peruvian Art.

I have had the pleasure to promote and accompany the work of Sergio Silva Cajahuaringa the last 20 years in different countries and it is, once again, a pleasure to present to the Swedish art world this fantastic artist. 

José Beraún Aranibar Former Ambassador of Peru to Sweden

Lennart Sand 

Född 1946

"Räv"

Olja på duk

91x144 cm

"Fox"

Oil on canvas

91x144 cm

Frans Wilhelm Odelmark

1849-1937

Olja på duk, 84x60 cm

Oil on canvas, 84x60 cm

Krassimir Kolev

"the Mirror of the Queen of Saebah"

Oil on canvas, 90x70 cm

Sven "X-et" Erixon

1899-1970

Olja på duk

74x60 cm

Daterad 1941

Hans Sӕle

född 1954

"Bränningar"

olja på duk, 49x97 cm

oil on canvas, 49x97 cm 

Frank Björklund

"Make your voice heard"

Oil on canvas, 40x90 cm

A visual and clear painting. Light and dark.

A young boy, an all-time boy, is using his bullhorn. In the prospect of inheriting a world of darkness....

He is shouting/crying out for a nicer and brighter world.
 

Frank Björklund

"Side Effects"

Oil on canvas, 40x90 cm

What is normal? This painting reflects to the opposite of the normal, the norm. A steam punk head with no body and mechanical features. Let´s say that´s the norm. What's normal or usual in art ? A still life of course. An apple and a pear. The allegory over apple could be love, wisdom, luxury or death. A pear longevity and divine sustenance. Ironic. Hanging as effects on each side of the head. If hunger strikes, what will he/she eat?

So close but yet so far.

The real sideeffect is that I got you thinking

Frank Björklund

"Intermission"

Oil on canvas, 40x90 cm

A three-piece painting, an triptych. The two outer sides is a busy town. Traffic in the streets. The pulse is high and the stress level also. In a world where we shuttle from place to place, and work becomes equal to living. Once in while we have to stop and just play, for our own amusement. The Pause. The recovery. The recovery of play, where we allow us to be ourselves. The middle is a antique tin toy that you wind up. And the beat goes on. Repeat...

Frank Björklund

"Airballoons"

Oil on canvas, 135x90 cm

A young woman, the naive and the innocent, holding multicolored balloons that transcends into to blue skies. White fluffy clouds and clean air.

Or wishing/demanding for clean air. A play with words. She´s walking with the traffic, the flow. With a tiger as a companion or guard. The tiger, all living, is looking toward us, (the viewer/spectator), asking a question...?

Frank Björklund

"The Butterfly effect"

Oil on canvas, 50x40 cm

It´s the chaos theory. It rests on a notion that the world is deeply interconnected, such that one small occurrence can influence a much larger complex system. The effect is named after an allegory for chaos theory. It awakes the theory, that a butterfly could flaps it wing in London and, hypothetically, multiply the motion to cause a storm in Australia.

Only one butterfly has a shadow.

Dariusz Zieliński

Född 1975

"Three legged High Big horse" 103 cm

"Three legged High Small horse" 42 cm

Brons, upplaga 12 ex.

Bronze, edition 12

Ryno Frieberg

1920-2018

Olja på duk, 45x54 cm

Oil on canvas, 45x54 cm

Ingrid Roth

Född 1956

"KG & Jag"

Akryl på duk, 89x109 cm

"KG & Me"

Akrylic on canvas, 89x109 cm

Esaias Thorén

1901-1981

HALMSTADGRUPPEN

"Geometriska linjer"

Olja på pannå, 38x45 cm

Oil on board, 38x45 cm